1. |
||||
2. |
The Critic
05:39
|
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ontology
on top of me
bringing reality
closer, closer
trapped in between
a mise-en-abyme
of projected dream
on the silver, silver
buried beneath
a sea of celluloid dream
mummify me
on the silver screen
i remember you
you've been transformed
Into light
gelatine blurs
betray perspective
i hold on to the picture-frame
(it is) your coffin
your colours are dead
but your shadow lives on
|
||||
3. |
Take
01:03
|
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4. |
Dead Leaves
05:01
|
|||
emasculated sugarmarble trees
flowing in glorious Berlin Springtime reverie
black birds (not blackbirds)
saw past three foot inches of dust
hexagrammatical logic - you betrayed
your ignorance in asking
why brew death potion
in a world of arsenic?
death magick is fear no body
- you had more questions
on your mind, but like an anxious child,
tapped your teeth with your tongue
deafening, mute
septum cleft in januskopf
would you make love to dead leaves?
|
||||
5. |
Requiem For Lizzie Harts
05:01
|
|||
6. |
||||
7. |
Onlymorethananything
05:53
|
|||
i saw you die
i saw you die on a saturday
cinema
make a star
leave a scar
write on me
hear a scream
make a scene
steal a dream
out of me
fingerprints
in the street
in concrete
forget about me
do you hear the ghosts all sing
do i love you?
onlymorethanfuckinganything
|
||||
8. |
The Romance of Abalom
01:39
|
|||
9. |
The Director
04:11
|
|||
10. |
Incidental
01:32
|
|||
11. |
The Producer
06:39
|
|||
buried alive
in gelatine silver
photographs
of dead leaves of autumn
we sing you lullabies
as we nail down your casket
we sing lullabies
|
Lillian Gish London, UK
Lillian Gish are a 2-piece from South / East London, committed to combining psychedelia and industrial in such a way as to convince you to drop acid then immediately regret it. One is a classically-trained brooding Svengali, the other is a crazed transgender Kenneth Anger-obsessive. Together, they make music inspired by serial killers, Lewis Carroll and the underbelly of the Hollywood golden-age. ... more
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